![]() ![]() It conveys a plea for understanding and compassion while acknowledging the inevitability of death and the importance of appreciating the beauty and experiences that life offers, despite the pain and challenges. Overall, the song explores the complexity of mental health, self-destructive tendencies, and the struggle to find meaning and happiness within life's hardships. The sticks and stones wont build you a home, And every word it will exert you. Its coming closer, but we dont like to talk about it. It highlights the exhausting cycle of overanalyzing and dwelling on things that may hold no real significance but still have a profound emotional impact. We hear that rumbling song in the distance. ![]() The mention of overthinking and feelings of annoyance and boredom further emphasize the internal turmoil and dissatisfaction the speaker experiences. However, the following line "I've been winnin' this fight 'cus I'm good at dyin'" reveals a contradictory statement, possibly indicating that the speaker has become adept at managing their pain through self-destructive tendencies. The line "But I went through struggles but fuck, and I'm losin' this war 'cus I'm not good at love" reflects a feeling of inadequacy and losing the battle against their own personal demons. In the third verse, the lyrics suggest a struggle with self-worth and finding meaning in life. The phrase "It's a suicide accident" could be seen as a metaphorical expression of feeling trapped or unintentionally causing harm to oneself due to their internal battles. The interlude introduces a plea for empathy and understanding, as the speaker asks for help and compassion for their internal struggles. The lyrics also touch on a sense of recklessness or self-destructive behavior, such as "Drive me crazy, that's another DUI" and "drive overdose like, I'm ready to die." These lines may imply a pattern of engaging in risky behaviors and seeking excitement, possibly as a form of escaping or numbing emotional pain. The lines "Suicide, with your pretty eyes, I'm ready to di-ie, you can take me alive" suggests a morbid desire for death while also acknowledging the allure of something or someone that may contribute to those feelings. The verses delve into the idea of suicide, with the speaker expressing a willingness to die, possibly due to feeling overwhelmed or seeking an escape from their pain. However, it is followed by the line "But that's alri-ight, it was a good life," indicating a recognition of the importance and value of life, despite its challenges. In the chorus, the repetition of "Someda-ay, I will di-ie" suggests a contemplation of mortality and acceptance of the inevitability of death. Hopefully someday lyrics how to Hopefully someday lyrics how to (You can’t please everyone.) This is not an attempt to create a new theory of mind - there are already too many of those - but it is a useful metaphor to describe the process of introspection: how to identify the major themes and defining moments in your life, how to deal with guilt. This song was extracted from Tom’s Mind Cavern.The song "【Hopefully Someday】" by YouSane explores themes of struggles with mental health, thoughts of suicide, and the complexities of love and life. Should we instead say “teased out?,” “conjured?,” “summoned?,” “hurled?”) Anyway, it was his idea. The first time I heard it was in a midi file which he emailed to me, and I loaded it into MuseScore. I thought it was a good tune, but maybe a little too peppy for its pensive name. He asked me if I had any ideas for lyrics, and my Mind Cavern was blank. It turns out that MuseScore was playing it at a tempo of 120 bpm, far faster than the 82 bpm which Tom intended. No wonder I thought it was so energetic and had such an incongruous title. Tom sent me his tracks and the first verse, and I had to bend my brain around the idea that the song was lentissimo, cavernous, and thoughtful. One morning I woke up with what became the third verse spawning in the rivers of my mind. I recorded it that morning, and at lunch a few hours later I wrote the second verse. Tom liked both, and quickly recorded some backing vocals for them. But I thought my verses made the song feel incomplete, so I added the deep-layered 3-part chorus between the verse to conceptually cap them off. I consider this song to be a sort of Introvert’s Anthem, and I wonder whether many extroverts will really dig it. (You can’t please everyone.) This is not an attempt to create a new theory of mind - there are already too many of those - but it is a useful metaphor to describe the process of introspection: how to identify the major themes and defining moments in your life, how to deal with guilt. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |